The first jury for the Preis der Nationalgalerie 2019 consists of directors and curators active in the realm of contemporary art and is selected by Berlin’s Nationalgalerie and Freunde der Nationalgalerie. In addition, two members of the Deutsche Filmakademie are selected as member of the first jury.
The first jury met in February 2019 to select four artists from the candidates of the long list for the short list of the Preis der Nationalgalerie 2019. The short list will be announced on March 1, 2019.
In the summer of 2019, the first jury will convene once again to decide the winner of the Förderpreises für Filmkunst (Award for Cinematography), which will be awarded at the award ceremony in September 2019.
A second jury, consisting of internationally renowned directors and curators of contemporary art, will be announced in May 2019. It will also be selected by the Nationalgalerie together with Freunde der Nationalgalerie.
After the opening of the short list exhibition on August 15, 2019, the second jury will meet to choose the award winner from the four artists nominated: the winner of the Preis der Nationalgalerie 2019 will then be announced at the award ceremony.
For more on the procedure of the Preis der Nationalgalerie here.
Nikola Dietrich is an art historian and curator, and since recently appointed director of Kölnischer Kunstverein, Cologne. She was head curator at the Museum of Contemporary Art in Basel from 2008-2013, where she curated survey exhibitions of Henrik Olesen, Hilary Llyod, Rodney Graham, Monica Bonvicini / Tom Burr, Tim Rollins & K.O.S., Robert Gober, as well as the exhibition Tell it to my heart. Collected by Julie Ault, among many others. She was curator at Portikus in Frankfurt from 2004-2007, where she realized a large number of exhibitions accompanied by publications, among them projects with Francis Alys, John Baldessari, Judith Hopf, Paulina Olowska and Bonnie Camplin.
Since 2014 she is also co-editor of Starship Magazine, published in Berlin.
Doris Dörrie is a writer and filmmaker. After studies in California and New York, the native Hanoverian studied at the Hochschule für Fernsehen und Film in Munich (HFF Munich) from 1975 to 1978. Her breakthrough as a director came in 1985 with the cinema surprise Männer. Since then she has produced numerous other cinema, theatre and opera works, including Bin ich schön? (1998), Nackt (2002), Kirschblüten – Hanami (2008), Mozart’s Don Giovanni at the Hamburg State Opera (2011) and currently Kirschblüten und Dämonen (2019). In addition to her work as a director, Dörrie has been teaching as a professor at the HFF Munich since 1997, as head of the chair of Creative Writing since 2009, and is the author of numerous novels and stories. Her 23 book publications to date include the children’s book series Lotte and Mimi and, most recently, the youth novel In einem fremden Wald (2017). Among many other awards, Doris Dörrie has received the German Film Prize (1986, among others), the Bavarian Film Prize (1998, among others), the Grimme Prize (2011) and the Federal Cross of Merit (1996).
Marina Fokidis is a curator, writer and director of South as a State of Mind journal. She is the founder of South as a State of Mind, a bi-annual art and culture magazine launched in 2012, and Kunsthalle Athens, of which she is also the artistic director. Fokidis has headed the artistic office of documenta 14 in Athens and has served as curatorial advisor to documenta 14 in Athens since 2015. She was co-curator of the third Thessaloniki Biennale for Contemporary Art (2011), curator of the Greek Pavilion at the 51st Venice Biennale (2003) and co-curator of the first Tirana Biennale (2001). In addition to her curatorial activities, Marina Fokidi has lectured at the Berlin University of the Arts (2017) and numerous other institutions.
Ulrich Matthes was born in Berlin, where he studied acting in the early 1980s under Else Bongers while pursuing a degree in German and English literature. His first theatrical engagements were at the United City Stages of Krefeld and Mönchengladbach, Düsseldorf’s Playhouse and the Bavarian State Theatre. In 1988 Matthes joined Munich’s Kammerspiele and from 1992 onwards he was a leading actor at the Schaubühne am Lehniner Platz in Berlin. Since the 2004/2005 season Matthes has been a member of the Deutsches Theater ensemble. Matthes has also appeared in numerous films, including Tom Tykwer’s “Winter Sleepers” and Volker Schlöndorff’s “The Ninth Day”. For his role in the TV movie “Tatort: Im Schmerz geboren” he was awarded the Grimme Prize and the Goldene Kamera Prize as Best Actor national. For his performance in “Bornholmer Strasse” he was awarded the Prize of the German Television Academy in 2015. In 2017 he played the main role in the award-winning movie “Fremder Feind” directed by Rick Ostermann which is nominated for the Grimme Prize this year. Since 2012 he is the director of the Performing Arts Section of the Academy of Arts, Berlin.
Bige Örer is currently the Director of the Istanbul Biennial. Örer came aboard on the Istanbul Foundation for Culture and Arts in 2003 and worked in the coordination of cultural and artistic projects until she was appointed director to the Istanbul Biennial in 2008. Since 2009, she has been the advisor of the Pavilion of Turkey at the International Art Exhibition of la Biennale di Venezia. She has acted as a consultant and a jury member for a number of international cultural and artistic projects as well as an independent expert for the European Union. Bige Örer’s breadth of activity embraces both the artistic and the academic fields. She was the co-author of the children’s book A Colourful Journey In A Time Machine: Istanbul Biennials for Children. She has also been teaching, between 2011 and 2013, courses at the Istanbul Bilgi University. Since March 2013, she is the vice-president of the International Biennial Association. She is in the editorial board of the publication of IBA, titled PASS.